| Main |
<<next |
10/9/2006 Greenhouse gass emission,conventional v.s organic farming ![]() ![]() Greenhouse gases emissions linked to the production of a kg (roughly 2 pounds) of food. Meat is with bones (the proper term would be "carcass equivalent") but without processing, packaging, or transportation. To give a comparison unit, the far right bar represents the emissions linked to driving 100 km in an average european car. Sources : Jean-Marc Jancovici:http://www.manicore.com/anglais/documentation_a/greenhouse/plate.html IFEN: http://www.ifen.fr/ |
10/9/2006 ![]() Interview: Dearraindrop A shared house in Providence called Fort Thunder where, amongst others, the band Lightning Bolt lived, inspired Dearraindrop to live the life and to create the art they do... They now live together in Virginia Beach, an 8 hour drive south of New York just where the Bible Belt starts. Billy from Dearraindrop explains that there are only churches and military. But they are happy to live there and to be away from the art scene in NYC because it’s easier to concentrate on their work in Virginia Beach. Interview:Sune Fredskild What is it like living in a place like Virginia Beach? Billy: It’s cool; it shields you from everything that’s been spit out of New York. When you live isolated in a place like that you can focus totally on your work. Lara: Sometimes when we go to NYC we wonder how our friends manage to work there because there is always a party to go to. NYC is a fun place to visit for two weeks, but it’s a hard place to live and work because there is so much going on all the time. Why is the exhibition called V-B? Joe: Because that’s where we’re from and the gallery is called V-1 so we thought we were being clever. Several of the works are titled Dream Concert does that have anything to do with the place you live? Lara: It is concerts we wish would happen in Virginia Beach. Billy: No bands ever play in Virginia Beach. Joe: Only shitty bands like Dave Matthews Band. Is this your vision of an alternative Virginia Beach? Joe: We are just having a good time... Lara: We’ve put together bands from different times that could never have played together. Where did you go to school? In Providence? Lara: I went to the California University of art and Joe went to a school in Boston. Joe: We never went to school in Providence. Lara: We only lived in Providence for a year, just for fun. Providence is a great place, but the police station is shaped like a 9 mm handgun if you see it from Ariel view. And you don’t think that’s a coincidence? Lara: No, it’s all controlled by the mafia it’s just corrupt. But it seems like the place you live has a big influence on your art. If you lived in Providence there would be no need to make these Dream Concert pictures since there is so much art and music coming out of that place... Where does these psychedelic pictures come from? Joe: It’s just our taste. We’ve always been into these things, we just didn’t know what it was. Do you feel any connection to the Lowbrow-art scene in California? Joe: Not at all. I think good art is good art, there’s no defining it like that. That’s just a way people try to market it and to sell it. But to me your art is anti-intellectual and that is a thing you have in common with the Lowbrow-art scene. Lara: What’s intellectual art to you? Conceptual? Because we are definitely more into the visual. Joe: But I think the three of us know more about art history than most conceptual artists. One of you said in an interview that you hated contemporary art. Joe: I think most contemporary art is ass. There’s a lot of people who don’t know what their are doing, a lot of posers. But we definitely know what we are doing. It’s all just about hype and who has got the money to put up a big show, at least in New York. Is it because you feel it has nothing to say? Joe: There’s nothing behind it. People are creating art based on a trend. I don’t know what’s popular and that’s not what art is about. What does it mean to you working as a group? Joe: I think collaboration is a powerful tool when people do it well. There’s something more about it, it’s not just an individual, it’s a group of people collectively doing something together. So it ends up being something none of you could have done on your own? Joe: I think three minds can melt together to one super mind. Have you always been working together or have you done exhibitions on your own? Lara: Yes, we have done exhibitions on our own but recently we’ve been enjoying working together. Is it harder being accepted as an artist if you are educated from an art academy? Billy: It’s something people put in your face a lot, it means something to some people but it doesn’t mean anything to me. Lara: It’s good to go to a school for self development. Yeah, the idea to educate someone to make art is... Lara: Absurd... Isn't it weird to be working in your studio and then when the exhibition is up, you have to talk about what you have been working on for a long time? Joe: Sometimes talking about the art seems fake; working in the studio is what’s real. Billy: I don’t like talking about my art because I don’t think in opinions and I change my mind too much. I don’t like making statements. I’ll do that when I’m 80, right before I’m dead, but I’m 21... We’re all just learning by what we’re doing and we’re fans that love art. I guess that goes for all aspects of life that it’s important to stay curious. Billy: We haven’t seen half as much as we hopefully will get to see. Joe: But I think a lot of people act like they know everything at our shows. But some artists act like that too... Joe: Yeah, they have to back up their shitty art with talk to sell their works, that’s not real. Making art along with making music is the realest thing people can do. If there were no galleries, no stupid art world or stupid New York Times or Billboard 100, there would still be people making music. There are millions of people out there making music that has no idea those worlds even exists. And there are millions of people making visual art that are not concerned with that crap. I really think that crap sidetracks you. People have been doing these things since the beginning of time and they will be making art and sound after these establishments are long gone. But you must have a wish to communicate with others since your making art? Joe: Not necessarily. Billy: It can be personal too. Joe: But it’s great to be able to share something you love with others. It seems like music is a big inspiration to you does it matter whether you are inspired by something visual or by sounds? Joe: They are the same anyway. You mentioned that you met Eye, the lead singer of the Japanese group Boredoms, and that he is a big inspiration to you what was that like? (Lara shows me the Boredoms T-shirt she’s wearing...) Joe: Boredoms changed my life! I would recommend every kid to buy the first six or seven of Boredoms albums; it should be part of school curriculum. Your art have references to psychedelic art and music of the 60'ies is it more than a cliché that artist paints while listening to music and losing themselves in the music? Joe: Don’t you think the businessman does the same thing when he puts on some classical music and types on his laptop? What kind of experience do you want your audience to have? Joe: If we inspire some people, that’s cool. If some get excited about it that’s good, then we have achieved something. Are your political conviction reflected in your art? Joe: I think we are free people and we have a lot of freedom in our country. Lara: It’s definitely a concern... Inteview stolen from: http://www.kopenhagen.dk// Also check out: www.dearraindrop.org |
8/9/2006 ![]() BRUTAL TRUTH has regrouped and will perform a handful of exclusive dates. In addition to the previously announced September 3 show at Chicago's Electric City Rockfest, the band has added performances as part of the Brave Words & Bloody Knuckles 6-Pack Weekend IV and the 2007 edition of the Maryland Deathfest. Full details on all BRUTAL TRUTH reunion shows follow this announcement. Drummer Rich Hoak comments on the bands reunion; "The original impetus for the reformation of BRUTAL TRUTH was a quick recording session of an EYEHATEGOD cover song ('Sister F*cker') for a compilation to benefit our friends in the band, who had lost all of their musical equipment in the Hurricane Katrina disaster. As we were grinding and smoking, we considered the current state of the planet and it became obvious to us that the world needs BRUTAL TRUTH now more than ever!" Hoak continues, "We are totally psyched to be back together and grinding to the extreme! Were looking forward to seeing our old fans again, meeting new fans and, of course, busting out the most extreme grind possible! BRUTAL TRUTH bassist Dan Lilker adds; "After 8 years of not playing psychotically fast grind music, it feels damn good to be doing it again. Look out cause we're about twice as fast now." |
8/9/2006 Cops say grave robbers had sex on their minds The Minneapolis-St. Paul Pioneer Press September 05, 2006 On their way to dig up a grave in rural southwestern Wisconsin, the Grunke brothers and a friend stopped at a Wal-Mart to pick up some condoms, authorities said. Three days later, on Tuesday, twins Nicholas and Alexander Grunke, 20, and Dustin Radke, 20, were charged in Grant County with attempted theft - and attempting to have sex with a corpse. 'In different schools that teach you about bizarre behavior, necrophilia is one of those things that you hear about, but never think you'll have to deal with,' said Grant County Sheriff Keith Grovier. A Cassville police officer arrived at the St. Charles Cemetery on Saturday night after a neighbor alerted police to suspicious activity, according to a criminal complaint filed Tuesday. The officer found an abandoned vehicle parked near the cemetery. Minutes later, the complaint stated, the officer saw Alexander Grunke walking toward the vehicle, dressed in black and sweating profusely. After being questioned, Grunke told the officer his brother and Radke were trying to dig up a grave, according to the complaint. The two drove into the cemetery to find the partially dug grave of a 20-year-old woman who was killed in a motorcycle accident Aug. 27 in Cassville. The diggers had only managed to reach the top of the grave's concrete vault. Nicholas Grunke and Radke were arrested Sunday morning in Beetown, about eight miles from the cemetery. The complaint said Radke told police that Nicholas Grunke had asked him to help dig up the Cassville woman's body and take it to Grunke's house, so that Grunke could have sex with it. On the way to the cemetery, Radke said, they stopped by a Dodgeville Wal-Mart to buy condoms 'because Nick wanted to use them when he had sex with a corpse,' the complaint added. Grovier said the three did not know the woman but had seen her picture in a newspaper obituary. The Grunkes are from Ridgeway, while Radke is from Dodgeville, both in Wisconsin's Iowa County, about 50 miles northeast of Cassville. Grovier said the woman was 'very well-liked, very popular' in Cassville, a Mississippi River town of about 1,100. 'The community is very upset,' the sheriff said. 'They can't believe it.' 'The family, they're people of faith, but this is still a difficult time for them,' the Rev. John Norder, pastor of St. Charles Church in Cassville, told the Associated Press on Monday. 'We're all pretty shook up that something like this could even happen. It blows your mind how anyone could stoop so low.' Radke and the Grunkes were being held Tuesday night in the Grant County jail. The Grunke brothers were assigned a $1,000 bond, while Radke had a $1,500 bond for previous misdemeanor charges of resisting arrest, Grovier said. Each could face nearly 51 2 years in prison and a $17,500 fine. |
7/9/2006 ![]() John Zorn - SOLO, PAIN KILLER (John Zorn, Bill Laswell & Tatsuya Moshida) & ACOUSTIC MASADA. 19 okt. 2006, Nancy Jazz fest http://www.nancyjazzpulsations.com/NJP_2006_Prod/mininjp/artist.asp?artist1=881#1 John Zorn, Mike Patton, Trevor Dunn & Joey Baron (Moonchild?) 28.11.06 BRUSSELS/Belgium 30.11.06 PARIS/France 01.12.06 ATHENS/Greece 03.12.06 MILANO/Italy 04.12.06 BUDAPEST/Hungary 05.12.06 NANTES/France |
5/9/2006 ![]() Kurt Cobain action figure...eh, action? |
5/9/2006 This year, Athens Modern Music School will include an "Extreme Drumming Class" with NILE drummer George Kollias as an official MMS teacher. This is a great opportunity for all the young drummers to get lessons in a style of drumming that is really missing from today's schools. Commented George: "Me and George Metallinos (MMS Athens owner) were talking about it a long time ago but it has been cancelled because of my heavy touring schedule. Having two new albums coming soon from NILE and SICKENING HORROR as well as lots of tours, we know it's not going to be easy but we will give our best shot! I have already written down a big part of my own teaching method and I hope to see many young drummers getting into it, learning new things and covering all their questions about extreme drumming. "Big thanks to G. Metallinos for his true interest about the young drummers in Greece and his support to me through the years as well as having me a part of the great team of the MMS Athens! We definitely have the best team there and this year is going to be crazy!" Class starts in October. More information is available at www.modernmusicschool.com. |
4/9/2006 ![]() DEICIDE are sinfully proud to present their new logo! After many years of the DEICIDE logo many have come to know and love, DEICIDE have unveiled a new design, as seen. |
|
|
3/9/2006 ![]() Buckethead & Travis Dickerson - "Chicken Noodles" Cruel Reality Of Nature off Population Override has always been one of our favorite tracks. We decided to explore just the Telecaster and Fender Rhoades combo for some extended tracks. The CD is that, four pieces of music, very stripped down. If you liked Cruel Reality Of Nature you may enjoy this. - Travis |
3/9/2006 ![]() "Something I study is how people react when my blood is streaming everywhere, but that's not why I do it. I like to cut, in others preferably, but it's mostly in myself. That I can't do it too often...makes me a bit mornful." ~Dead "What I prefer in movies is when they're underground-produced or of the classical HORROR sort-not 'gore' but ESPECIALLY snuff, althought I haven't seen many snuff movies...I like to research how one reacts when watching real deaths, or preferably real corpses (not on video...)..." ~Dead "He was a very strange personality. He was from Sweden, the old vocalist in a band called Morbid...some of the guys play in the shit band Entombed now. But he was an okay guy, a very nice fellow, but a bit melancholic and depressive." ~Hellhammer "...He was far away from Sweden and didn’t know anyone because he wasn’t the kind of fellow who could get in touch with people very easily. He just sat in his room and became more and more depressed, and there was a lot of fighting [with Euronymous]." ~Hellhammer "He was a very special person, a good friend. Very shy, very quiet. He didn’t talk to many people. He stuck to himself and a few people he knew...Dead had extreme views about everything: he talked about being non-human, not belonging on earth. He told me stories that he was almost dying when he was a kid, because he was sleeping so deeply and his face turned blue, and he wanted to die when he was only two or three years old. They couldn’t wake him when he was sleeping; I think it was something between deep sleep and unconsciousness." ~Metalion "I don't think anyone knew Dead that well. He just wanted to be left alone. He was a really special guy and his vocals and lyrics were fucking amazing." ~Maniac "He hated cats. I remember one night he was trying to sleep. A cat was outside his apartment, so he ran outside with a big knife to get the cat. The cat ran into a shed and he went after it. Then you heard lots of noise, and screaming, and there was a hole in the shed where the cat came out again, and Dead ran after it with his big knife, screaming, hunting the cat, only dressed in his underwear. That was his idea of how to deal with a cat." ~Faust "...One time Euronymous was playing some synth music that Dead hated, so he just took his pillow outside, to go sleep in the woods, and after awhile Euronymous went out with a shotgun to shoot some birds or something and Dead was upset because he couldn’t sleep out in the woods either because Euronymous was there too, making noises." ~Hellhammer "I honestly think Dead is mentally insane. How else would you describe a person who does not eat in order to get starving wound? Or who wears a T-shirt consisting of real funeral announcements? I've always wanted to have a guy like that in the band." ~Euronymous "[Dead's corpsepaint] wasn't anything to do with the way KISS or Alice Cooper used makeup. Dead actually wanted to look like a corpse. He didn't do it to look cool. He would draw snot dripping out of his nose. That doesn't look cool. He called it corpsepaint." ~Necro Butcher "[Euronymous] tried to psych him out. He would tell Dead, 'We don't like you. You should just kill yourself.' Stuff like that." ~Necro Butcher "[Dead's suicide] didn't really surprise me. He was a strange guy, always talking about Carpathian castles and the Porphyrians and how this life is only a dream." ~Hellhammer "He spoke so much about death and killing himself that it wasn't that surprising. The surprising thing was that he killed himself in the spring. Everybody was looking forward to summer and suddenly he killed himself." ~Blashpemer "We have declared WAR. Dead died because the trend people have destroyed everything from the old black metal/death metal scene. Today "death" metal is something normal, accepted and FUNNY (argh) and we HATE it. It used to be spikes, chains, leather and black clothes, and this was the only thing Dead lived for as he hated this world and everything which lives on it." ~Euronymous "Euronymous spread the rumor that [Dead] committed suicide because of the scene. That was not the reason for it, but he wanted it to look that way because then he could make more money and make him look more evil than he really was." ~Hellhammer "In some ways Euronymous used the suicide to promote Mayhem. He said that Dead killed himself because death metal was becoming a trend, but that's totally not true. He killed himself simply because he wanted to kill himself. I was kind of pissed off at the time because Euronymous was trying to gain from his death." ~Maniac "He wasn’t a guy that you could know very well. I think even the other members of Mayhem didn’t know him very well. He was hard to get close to...He had a lot of weird ideas...Honestly I don’t think he was enjoying living in this world, which of course resulted in the suicide." ~Faust "Dead didn't see himself as human; he saw himself as a creature from another world. He was very much into death and the other world. He said he had many visions that his blood has frozen in his veins, that he was dead. That is the reason he took that name. He knew he would die..." ~Occultus "[Euronymous] took pieces of the brain and made a stew. He put in ham, frozen vegetables, and paprika. He'd always said he wanted to eat flesh, so he figured this was an easy way." ~Hellhammer "He was cool to hang out with, always weird to talk with. I remember him as a nice guy, really. I think he died cuz he was not happy! I don’t believe in this thing that he wanted to join the other side or whatever." ~Napoleon Pukes "Dead was a great guy, silent, but really a great guy. It was a shame that he committed suicide." ~Metalion "[Dead] hated this planet and all living creatures on it. The only thing which kept him there was his love for the ancient death/black metal lifestyle with face paint, spikes, leather, black clothes, Satanism and brutality." ~Euronymous "Although it was me who found him and had to crawl through his brains to get into his house, I don't think it affected me very much. Of course he was a friend, but I know he wanted to die and then the only right thing he could do was to give his life to the darkness. It would have been wrong to prevent him from doing it." ~Euronymous "Dead wanted everybody to have an alias. He wanted to put on a show. It was hard, of course, cuz the band couldn't even fit on stage. At one point we had a coffin for Dead. But we had to put it behind the stage. He was still in it before the show. Weird?" ~Napoleon Pukes |
3/9/2006 ![]() Dick Bengtsson - Bergsvandrare, 1974 |
3/9/2006 ![]() |
30/8/2006 ![]() |
30/8/2006 ![]() Braxton Performances @ Wesleyan - Winter 2006 Wednesday, December 06, 2006, 08:00 PM Anthony Braxton Large Ensemble Professor Braxton's student ensemble performs his music. Location: Crowell Concert Hall Admission: Free admission Sponsor: Center for the Arts URL: http://www.wesleyan.edu/cfa Contact: cfapress@wesleyan.edu 860-685-3355 Friday, December 08, 2006, 08:00 PM Anthony Braxton Small Ensemble Saxophonist, composer and professor Anthony Braxton performs in an intimate small-ensemble setting. Location: Crowell Concert Hall Admission: Free admission Sponsor: Center for the Arts URL: http://www.wesleyan.edu/cfa Contact: cfapress@wesleyan.edu 860-685-3355 |
29/8/2006 ![]() www.wernerherzog.com |
28/8/2006 ![]() Jesse Pintado RIP Guitarist Jesse Pintado (TERRORIZER, ex-NAPALM DEATH) died over the weekend in a hospital in Holland, Century Media Records has confirmed. A pioneer in our musical genre, Jesse and his influential sound will be sorely missed. Century Media Records will make a further announcement later in the week. In a recent interview with Rockdetector.com, Pintado spoke about his final days in NAPALM DEATH. "The departure was basically due to a variety of reasons," he said. "We shared a house together, we toured together, we were always together, but people move on. Along the way there was a little rough bumps, though I don't know. In my situation it got to the point where I needed a little fresh start. I'm still good friends with the guys; there's no animosity there, we're all cool, and they're happy with what I'm doing." Asked if the media twisted the situation in some ways since it was reported that the band stated he had personal problems and alcohol issues," Pintado replied, "Yeah, of course. The other day I was browsing the Internet, and they stated I was dead! I thought 'Oh shit, I'm dead!' I really don't pay much attention to that." Pintado's final release was the long-awaited TERRORIZER reunion CD, entitled "Darker Days Ahead", which came out last week via Century Media Records. |
28/8/2006 ![]() np: mof far far rah http://moffarfarrah.blogspot.com |
27/8/2006 www.kalleruneson.com |
27/8/2006 ![]() Don Carlo Gesualdo (1560 - 1613) was rich, artistic, and - as the second son of a noble Neapolitan family - free to indulge his passion for music. But when his brother died, and it was decreed that he must carry on the line. The bride found for him - Donna Maria d'Avalos - was his cousin, and the greatest beauty in town. Don Carlo (who may have been gay) fathered a son, whereupon his interests wandered elsewhere to music and to hunting. One day his uncle divulged to him that the attention starved Donna Maria was enjoying a brazen affair with the handsome Duke of Andria, in which they would "invite each other to battle on the fields of love". Alerting her to the fact that Don Carlo now knew about their affair, the Duke tried to convince Donna Maria to end her affair, but she defiantly announced that she would rather die. Thus was the scene set for Don Carlo's historic deed. One day in October of 1590 Don Carlo secretly disabled the house locks before accouncing his departure on a hunt. He set off, but only to sneek back in the still of night with his henchmen to catch the sleeping lovers - exhausted by their love making - by surprise. The chronicles detail each event: The night-dress Donna Maria asked to be put out on the bed for her lover, about the maid posted as sentinel, and the sudden commotion as Don Carlo and his men burst in to find the pair "in flagrante delicto di fragrante peccato" , about the gun shots and multiple sword-thrusts, and the way Don Carlo couldn't rest until he had cut his victims to ribbons, and had personally skewered Donna Maria to the floor all the while repeating to himself "I do not believe she is dead". He dragged the bodies out onto the stairs, posting a notice explaining why he had killed them for all the town to come to gape at the next morning. The Duke was still clad in the women's night-dress prepared for him, while Donna Maria's "wounds were all in her belly, and especially in those parts which ought to be kept honest". Neapolitans were horrified, with as many taking the lovers' side as that of their murderer. Despite vows of vengeance by Donna Maria's family, Don Carlo's nobility ensured he escaped trial, and he withdrew to Ferrara, where he remarried, but was soon "afflicted by a vast horde of demons which gave him no peace unless twelve young men, whom he kept specially for the purpose, were to beat him violently three times a day, during which operation he was wont to smile joyfully." Don Carlo built a private chapel, completed in 1592. Inside hung a painting depicting the Virgin Mary and saints all pointing to the sinner, Don Carlo, while the fires of purgatory burnt below - out of which angels pull the figures of a man and a woman. Could these be the murdered lovers before which Don Carlo implored forgiveness? His music certainly becomes filled with an obession with themes of guilt, sin, pity, and death - even the joy of love being mixed with a fascination with pain: 'dolorosa gioia', such 'joyous pain' being a typical outburst. Without doubt the music written by the prince of Verona is some of the most macabre yet outlandishly fantastic music ever written. The famous unprepared chromatic side steps remain decidedly unnerving even to a devoted Second Viennese School fan. The effect of the chromatic spirals is often vertigo inducing but also deeply moving and ultimately awe-inspiring. This is truly sublime music by a neglected genius. |
Previous >> |